No, there aren't too many motorcycles in this one. There are a lot of pretty odd stories though; what's he trying to do -make me feel guilty for being white?
Alright, that's the self-righteous "I didn't subjugate anyone" knee-jerk reaction out of the way. This guy can write some truly disturbing stuff - some of it sounds like a matter-of-fact record of hardship; some of it is truly whacked '60s paranoia story stuff.
Good or bad? I dunno. He's got the variety of styles down; they all share a common theme but are not boringly repetitive. I suppose it is good in that's interesting, but not necessarily pleasant.
Friday, June 30, 2006
Thursday, June 29, 2006
The Best of Outside: The first twenty years - Editors of Outside Magazine
There's a real breadth of stories in here, and while I felt skeptical at the claims of the magazine being an outlet for intelligent commentary, by and large I was won over. Even Tim Cahill's piece wasn't as painful as his books, possibly because it was an order of magnitude shorter.
Monday, June 26, 2006
Flash point - Paul Adam
A semi-fluffy thriller starring an intrepid photojournalist, some monks, some Tibetan guerrilla fighters and the new-born Dalai Lama, in a wholly unsubtle editorial on Chinese repression of Tibet.
I wonder whether the book is a vehicle for the editorial, or if the editorial is just to lend verisimilitude to the story.
I wonder whether the book is a vehicle for the editorial, or if the editorial is just to lend verisimilitude to the story.
Sunday, June 25, 2006
A short history of tractors in Ukrainian - Marina Lewycka
Okay, imagine you're an 84 year old man, and you think you have a shot with a 30-something Ukrainian woman with enormous breasts. What would you do?
Well, in this story, he 'helps' her go from Ukrana to England - as do numerous other men, apparently. He chews through his pension to buy her things, like travel visas, a blender, a car... And she marries him! Lucky guy, huh?
Nah, not quite, and the story of the buxom blonde bursting into the life of an old Ukranian migrant to England provides Lewycka a wonderful foil to do all sorts of things in one book: exploring a relationship of sisters born on either side of the end of the war; tracking through the dual personality of mechanisation as machines of agriculture and as machines of war; thinking about the changes in Eastern Europe and whether the rampant mode of capitalism from the early days of the Western model really need to be imitated for societies just starting down the path...
The tractors in the title got me interested enough to take the book, the notes on the back made me worried that it was going to be some girly maudlin story about families bonding in the face of hardship or some blather like that, and I ended up quite liking the book after all. Better than Updike's stories, that's for sure.
Well, in this story, he 'helps' her go from Ukrana to England - as do numerous other men, apparently. He chews through his pension to buy her things, like travel visas, a blender, a car... And she marries him! Lucky guy, huh?
Nah, not quite, and the story of the buxom blonde bursting into the life of an old Ukranian migrant to England provides Lewycka a wonderful foil to do all sorts of things in one book: exploring a relationship of sisters born on either side of the end of the war; tracking through the dual personality of mechanisation as machines of agriculture and as machines of war; thinking about the changes in Eastern Europe and whether the rampant mode of capitalism from the early days of the Western model really need to be imitated for societies just starting down the path...
The tractors in the title got me interested enough to take the book, the notes on the back made me worried that it was going to be some girly maudlin story about families bonding in the face of hardship or some blather like that, and I ended up quite liking the book after all. Better than Updike's stories, that's for sure.
Trust me: Stories - John Updike
Wow, what a lot of dysfunctional relationships in one book. There are many short stories, apparently spanning decades of the Updike's writing career. They're all quite well written, though his capacity to write about miserable relationships and cheating spouses boggles my mind. I know it goes on, but why on earth write 30 stories about it?
The title is "Trust me", and apparently that's the theme of the book - trust, in relationships between husbands and wives, parents and children, and whatever else. It seems to me that the stories together say that people can't be trusted.
Not my favourite collection of stories, but not a terrible read overall.
The title is "Trust me", and apparently that's the theme of the book - trust, in relationships between husbands and wives, parents and children, and whatever else. It seems to me that the stories together say that people can't be trusted.
Not my favourite collection of stories, but not a terrible read overall.
Thursday, June 22, 2006
When getting a wedding outfit takes 10 minutes
Chronologically, this picture comes before the Procession of the Pink Pants, probably a few days previously. I could check the EXIF data on the image, but that would mean switching windows... but who cares about how lazy I am. The guy in the orange pants is me. I happen to think the purple jacket is a dashing statement. The little guy is Kee - Nek's uncle who owns the guest house where we stayed. The bald guy is Glen - Liz's friend (not in the way that 'Liz's friend' was interpreted in SE Asia) who accompanied her kind of as the muscle. Liz is a little bit little, so it was a safety/comfort thing.
The guy you can't see because he's holding up a piece of material is the tailor. Lovely fellow, lent me the purple jacket on the condition that I not sweat in it. Righty-oh, no sweating in 30 degree humidity. I'm all over that. Think of home, Rob, in February.
So what's going on, now that we've all been introduced? Well, Kee was very encouraging of the idea that as a participant in a traditional Khmer wedding (particularly that of his niece) really ought to wear traditional Khmer clothing. No matter how silly it makes you look. Glen got to participate in the ceremony too, so he needed happypants too. In this image, Kee is bringing all his skills in convincing and persuading to bear: "Yes, you wear that. It's good."
By gum, I'm sold! And indeed I was, on two lengths of silk (now destined to become cushion covers). That's right, I went to a wedding as father of the groom, wearing cushion covers.
You sort of stand in the middle of a couple of metres of silk, and a helper brings the ends together in front of you, kind of wraps/folds/rolls (the wardrobe girls on the wedding day had a genuine technique, we just faked it for the 'fitting') the whole works into a roll, and then that goes between the legs and is pegged up at the back. Tadah! All dressed.
Glen's tail is somewhat more pronounced as he has a more majestic girth than I do, hence it took a bit more material to get around. The consequence is that the rolled up bit is a lot longer... and ends up looking like that. In the market (one of a couple of markets; this may be the New Market, or the Central Market, but then again, those might be the one and the same. Never really did get the two straight. I know definitely wasn't the Old Market), the tail elicited nearly as much hilarity as the pink pants did.
Once our outfits were established (I also got an absolutely darling belt), we hung around briefly chatting in mutually incomprehensible languages with sporadic translations, but much smiling and laughter. Kee had appointed himself chauffeur on this expedition, and kept us to a rather strict and hectic schedule. Once we were done clowning around, we piled back into Kee's CRV, stuffed the tailor into the trunk (it's a little SUV, and there was pillows over the spare tire. He was fine.), and dropped him off from where we'd picked him up, and went back to the guest house to relive the glory of the day.
The guy you can't see because he's holding up a piece of material is the tailor. Lovely fellow, lent me the purple jacket on the condition that I not sweat in it. Righty-oh, no sweating in 30 degree humidity. I'm all over that. Think of home, Rob, in February.
So what's going on, now that we've all been introduced? Well, Kee was very encouraging of the idea that as a participant in a traditional Khmer wedding (particularly that of his niece) really ought to wear traditional Khmer clothing. No matter how silly it makes you look. Glen got to participate in the ceremony too, so he needed happypants too. In this image, Kee is bringing all his skills in convincing and persuading to bear: "Yes, you wear that. It's good."
By gum, I'm sold! And indeed I was, on two lengths of silk (now destined to become cushion covers). That's right, I went to a wedding as father of the groom, wearing cushion covers.
You sort of stand in the middle of a couple of metres of silk, and a helper brings the ends together in front of you, kind of wraps/folds/rolls (the wardrobe girls on the wedding day had a genuine technique, we just faked it for the 'fitting') the whole works into a roll, and then that goes between the legs and is pegged up at the back. Tadah! All dressed.
Glen's tail is somewhat more pronounced as he has a more majestic girth than I do, hence it took a bit more material to get around. The consequence is that the rolled up bit is a lot longer... and ends up looking like that. In the market (one of a couple of markets; this may be the New Market, or the Central Market, but then again, those might be the one and the same. Never really did get the two straight. I know definitely wasn't the Old Market), the tail elicited nearly as much hilarity as the pink pants did.
Once our outfits were established (I also got an absolutely darling belt), we hung around briefly chatting in mutually incomprehensible languages with sporadic translations, but much smiling and laughter. Kee had appointed himself chauffeur on this expedition, and kept us to a rather strict and hectic schedule. Once we were done clowning around, we piled back into Kee's CRV, stuffed the tailor into the trunk (it's a little SUV, and there was pillows over the spare tire. He was fine.), and dropped him off from where we'd picked him up, and went back to the guest house to relive the glory of the day.
Tuesday, June 20, 2006
The Pink Pants
For all those who've heard about the pink pants, but not seen the pink pants, here are the pink pants as photographed at some ungodly early hour in the morning, probably near 6 am. I think Richard (centre, with the yellow flower) is grinning not because of his impending union with the light of his life, Nek, but because his best mate and best man, Shannon, has been joking about the pink pants for the better part of an hour. The old guy, our holy celebrant at left, was chuckling too. The guy holding the umbrella behind Simone... he laughed at the pink pants too. The cute little kids? They were too polite to laugh out loud. So they made big eyes and ran off to convulse in giggles behind the coconut tree. Nek's sisters, Hua and Boa (sorry if that's misspelt, I don't have a Khmer typeface on this computer) laughed very daintily... at the pink pants.
They'd have been just fine, but I think the orange (!) jacket really sets off the whole ensemble. So did Richard, Simone, Nek, Hua, Boa, the old guy.... It was a riot.
I forgot to mention that Simone had a couple of good chuckles at the pink pants too.
Enough about the pants. I had it on the highest authority (Nek's uncle, plus the tyrannical tailor women who bade me drop my trousers... in the courtyard...) and proceeded to swathe me in the pink silk you see radiant before you. Not the matching orangey silk that I had too. The pink silk. Shiny side out.
So what's really going on in that picture? I'm wearing pink pants. Just kidding. Richard, the guy in the middle, is getting married. His mother and father would normally be where Simone and I are, but they couldn't make the trip from Sydney to Cambodia, so we were subbed in. We're at a guest house down the road from Nek's uncle's guest house, where the wedding will take place. We are (all of us above) going to recreate the traditional procession from the groom's village to the bride's village, bearing all sorts of yummy presents to show her parents what a great guy the groom is. Traditionally we'd have walked a couple of kilometres; for the purposes of symbolism we trudged maybe 300 metres. Soon after this photo was taken, traditional (so I'm told, and I'll have to believe it, 'cos I don't know) Khmer wedding music started playing REALLY LOUDLY. EVEN LOUDER THAN WHEN WE ALL WOKE UP AROUND 4 AM. We therefore had many groggy looking spectators along the walk.
And so, the pink pants proceeded forth... peals of laughter issuing in their wake. And it's not like I could melt into the 5 foot tall crowd, either. Weddings are, indeed, a joyous affair.
They'd have been just fine, but I think the orange (!) jacket really sets off the whole ensemble. So did Richard, Simone, Nek, Hua, Boa, the old guy.... It was a riot.
I forgot to mention that Simone had a couple of good chuckles at the pink pants too.
Enough about the pants. I had it on the highest authority (Nek's uncle, plus the tyrannical tailor women who bade me drop my trousers... in the courtyard...) and proceeded to swathe me in the pink silk you see radiant before you. Not the matching orangey silk that I had too. The pink silk. Shiny side out.
So what's really going on in that picture? I'm wearing pink pants. Just kidding. Richard, the guy in the middle, is getting married. His mother and father would normally be where Simone and I are, but they couldn't make the trip from Sydney to Cambodia, so we were subbed in. We're at a guest house down the road from Nek's uncle's guest house, where the wedding will take place. We are (all of us above) going to recreate the traditional procession from the groom's village to the bride's village, bearing all sorts of yummy presents to show her parents what a great guy the groom is. Traditionally we'd have walked a couple of kilometres; for the purposes of symbolism we trudged maybe 300 metres. Soon after this photo was taken, traditional (so I'm told, and I'll have to believe it, 'cos I don't know) Khmer wedding music started playing REALLY LOUDLY. EVEN LOUDER THAN WHEN WE ALL WOKE UP AROUND 4 AM. We therefore had many groggy looking spectators along the walk.
And so, the pink pants proceeded forth... peals of laughter issuing in their wake. And it's not like I could melt into the 5 foot tall crowd, either. Weddings are, indeed, a joyous affair.
Friday, June 16, 2006
Rob in Siem Reap
Simone in Siem Reap, Cambodia
Interface - Neal Stephenson and Frederick George
A Manchurian Candidate for the computer age, according to Seattle Weekly.
Someone should have hired the candidate a bloody editor instead of a dim chimpanzee. There were so many mistakes in the book that I can only compare the reading to listening to a scratched CD. Stone the crows, that was annoying.
So, an utterly improbable sci-fi story, unless you are one of the conspiricists with tinfoil on your head. I'm not quite sure how implanting a stroke victim with a biochip that wires him into a computerised polling system renders him a special effect, as described on the back of the book. In fact, that's not the case at all. The li'l chip is courtesy of "The Network", one of those nefarious inchoate groups to whom the Government of the United States of America (God Bless y'all!) is but a means to an end. Naturally, that end is money - they've got the power already.
So, fella gets a stroke (he's already a Governor, so that helps), the Network offers to fix him up with this chip (after they practice on a bunch of Indian (India Indians) brain injury victims) which patches through connections from brain on either end of the damaged part. Neat idea. Of course, being all computery, it can respond to radio frequencies. So... the Network arranges for ongoing biometric polling of a sample of the electorate (far too small a sample, incidentally) that gets used live to advise the candidate via this chippy thing how to behave on the ol' election treadmill. And so on.
We therefore have a sci-fi commentary on 1) ethics in biophysical neurobiology (I don't know if that's what it's called... it's good enough for now), 2) American (God Bless!) electoral groundings, style over substance, etc, 3) a little bit of a cynical poke at the non-governmental power of capital flows, and 4) a plug for good old fashioned values of honesty, hard work, dignity, etc.
You know, I thought Neal Stephenson was a pretty decent sci-fi guy. This book... ah, he must have had an off day.
Someone should have hired the candidate a bloody editor instead of a dim chimpanzee. There were so many mistakes in the book that I can only compare the reading to listening to a scratched CD. Stone the crows, that was annoying.
So, an utterly improbable sci-fi story, unless you are one of the conspiricists with tinfoil on your head. I'm not quite sure how implanting a stroke victim with a biochip that wires him into a computerised polling system renders him a special effect, as described on the back of the book. In fact, that's not the case at all. The li'l chip is courtesy of "The Network", one of those nefarious inchoate groups to whom the Government of the United States of America (God Bless y'all!) is but a means to an end. Naturally, that end is money - they've got the power already.
So, fella gets a stroke (he's already a Governor, so that helps), the Network offers to fix him up with this chip (after they practice on a bunch of Indian (India Indians) brain injury victims) which patches through connections from brain on either end of the damaged part. Neat idea. Of course, being all computery, it can respond to radio frequencies. So... the Network arranges for ongoing biometric polling of a sample of the electorate (far too small a sample, incidentally) that gets used live to advise the candidate via this chippy thing how to behave on the ol' election treadmill. And so on.
We therefore have a sci-fi commentary on 1) ethics in biophysical neurobiology (I don't know if that's what it's called... it's good enough for now), 2) American (God Bless!) electoral groundings, style over substance, etc, 3) a little bit of a cynical poke at the non-governmental power of capital flows, and 4) a plug for good old fashioned values of honesty, hard work, dignity, etc.
You know, I thought Neal Stephenson was a pretty decent sci-fi guy. This book... ah, he must have had an off day.
The Devil and Miss Prym - Paulo Coelho
This is why I write these little warbles. I'd forgotten I'd read this book. I was rummaging through a pile of paper pulled it out, and was all like, whoa, like I've, you know, read this?
Perhaps it read so fast is why I didn't remember it... a train ride and a half is all it lasted. Unfortunately, I had nothing else to read for the last half of the commute home, so I got to ruminate on whether or not Paulo Coelho is 'all that' or if he's just a panacea for shallow yuppies seeking a sense of profundity in their solipsistic little lives. I really am undecided.
Between The Alchemist and this little number, which together constitute the entirety of Coelho's oeuvres that I've read, I've got this funny feeling that he's pulling the wool over my eyes by covering off deep questions about humanity in remarkably readable (hour and a half!) books. See, in this one he's all over the "are humans good, or are they evil; and if evil, is it an irredeemable evil" question. And that's fine - worse, and more foolish, than Coelho have taken it on.
The thing is, the story trips along so merrily it feels like it's fluffy! And how can a fluffy book be so doggone focussed on Good n' Evil? Remember those whacky thought experiments where an dilemma is posed and your response suggests what kind of person (you think) you are? You know, lead a group of people one way and there's a 100% chance that half of them will die, go the other way and there's a 50% percent chance either way that all live or all die. Which do you do?
Well, it's a bit like ol' Paulo came up with a thought experiment, and turned it into a novel. Plausible? What the heck, it's a thought experiment. I reckon it could have gone either way with regard to the ending.
I enjoyed reading the book; I enjoyed the way Coelho really worked the tension within the main characters; I'm not sure about the proposition that fear is humankind's main motivator; I thought the whole light/dark parts of the soul were a bit trite and cliché - especially after the visualisation or personification of the Devil, which was cool.
And I can't shake the idea that the story's not as profound as it seems. That frustrates me.
Perhaps it read so fast is why I didn't remember it... a train ride and a half is all it lasted. Unfortunately, I had nothing else to read for the last half of the commute home, so I got to ruminate on whether or not Paulo Coelho is 'all that' or if he's just a panacea for shallow yuppies seeking a sense of profundity in their solipsistic little lives. I really am undecided.
Between The Alchemist and this little number, which together constitute the entirety of Coelho's oeuvres that I've read, I've got this funny feeling that he's pulling the wool over my eyes by covering off deep questions about humanity in remarkably readable (hour and a half!) books. See, in this one he's all over the "are humans good, or are they evil; and if evil, is it an irredeemable evil" question. And that's fine - worse, and more foolish, than Coelho have taken it on.
The thing is, the story trips along so merrily it feels like it's fluffy! And how can a fluffy book be so doggone focussed on Good n' Evil? Remember those whacky thought experiments where an dilemma is posed and your response suggests what kind of person (you think) you are? You know, lead a group of people one way and there's a 100% chance that half of them will die, go the other way and there's a 50% percent chance either way that all live or all die. Which do you do?
Well, it's a bit like ol' Paulo came up with a thought experiment, and turned it into a novel. Plausible? What the heck, it's a thought experiment. I reckon it could have gone either way with regard to the ending.
I enjoyed reading the book; I enjoyed the way Coelho really worked the tension within the main characters; I'm not sure about the proposition that fear is humankind's main motivator; I thought the whole light/dark parts of the soul were a bit trite and cliché - especially after the visualisation or personification of the Devil, which was cool.
And I can't shake the idea that the story's not as profound as it seems. That frustrates me.
Wednesday, June 14, 2006
Realware - Rudy Rucker
After a brief hiatus, I'm back into the books!
And don't I start reading the 4th book of a tetrology. I suppose if I was a "real" sci-fi fan, I'd have known this instinctively. But I'm not. I go to the library, grab a bunch of books more or less randomly, and read them. I have a new appreciation for those books that have "Book 3 in the series!" written on the front.
Fortunately, it's written well enough, with sufficient clues to the futuristic gizmos and stuff that eventually it's all comprehensible. The little genealogy of the characters at the front doesn't help - and really, who flips to the front to see who's related to who as the story progresses? It worked in War and Peace, but then, I reckon Tolstoi needed help keeping everyone straight.
Anyway, way off in the mid-21st century, things are a little different, when at some point aliens make contact. Naturally, humans fight back. Die, unknown beings, die. Which most of the aliens appeared to do, from what I can make out. (I'm assuming this was covered in detail in one of the previous 3 books).
An alien survives, remembers one of the nice humans from the Moon fight. Guess what? It's the pretty, smart girl that the main boy character meets by chance and, like, totally falls for.
Realware is the alien technology that gets shared with humans. It's futuristic alchemy - turn stuff into other stuff. Are humans grown up enough as a species to handle this kind of power and freedom?
And don't I start reading the 4th book of a tetrology. I suppose if I was a "real" sci-fi fan, I'd have known this instinctively. But I'm not. I go to the library, grab a bunch of books more or less randomly, and read them. I have a new appreciation for those books that have "Book 3 in the series!" written on the front.
Fortunately, it's written well enough, with sufficient clues to the futuristic gizmos and stuff that eventually it's all comprehensible. The little genealogy of the characters at the front doesn't help - and really, who flips to the front to see who's related to who as the story progresses? It worked in War and Peace, but then, I reckon Tolstoi needed help keeping everyone straight.
Anyway, way off in the mid-21st century, things are a little different, when at some point aliens make contact. Naturally, humans fight back. Die, unknown beings, die. Which most of the aliens appeared to do, from what I can make out. (I'm assuming this was covered in detail in one of the previous 3 books).
An alien survives, remembers one of the nice humans from the Moon fight. Guess what? It's the pretty, smart girl that the main boy character meets by chance and, like, totally falls for.
Realware is the alien technology that gets shared with humans. It's futuristic alchemy - turn stuff into other stuff. Are humans grown up enough as a species to handle this kind of power and freedom?
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